https://avalter.com https://avalter.com/archive https://avalter.com/architecture https://avalter.com/commissions https://avalter.com/commissions/beauty-product-cgi https://avalter.com/commissions/automotive-cgi https://avalter.com/commissions/spatial-experiences https://avalter.com/privacy https://avalter.com/work/dissolved-in-love https://avalter.com/media/gallery/dissolved-in-love.webp https://avalter.com/media/gallery/dissolved-in-love-poster.webp Dissolved in Love / latest 63-second edit https://avalter.com/media/gallery/dissolved-in-love-poster.webp A visual research study about dissolving into another person. Attachment becomes a way of losing your own sense of identity, until it is difficult to tell where you end and the other person begins. I worked across scanning, found objects, photo manipulation, live video, 3D, CGI, AI and found footage, bringing those different materials into one film. https://dogmabureau.com/media/avalter-portfolio/2026-11-10/dissolved-in-love-web-1080p.mp4 https://avalter.com/work/remember-bukhara https://avalter.com/media/gallery/remember-bukhara.webp https://avalter.com/media/selected/plotnikov-bukhara.webp Bukhara / animation sequence https://avalter.com/media/selected/plotnikov-bukhara.webp I made two animated worlds for Alexander (Sasha) Plotnikov's production When the desert grows old, it will remember Bukhara at the Mark Weil Ilkhom Theatre in Tashkent. One moves through Bukhara, the other through a Siberian forest. The sequences grew from Sasha's script and my own visual art, becoming moving images within the live performance. https://dogmabureau.com/media/avalter-portfolio/2026-11-10/bukhara-animation-web-1080p.mp4 https://avalter.com/work/spotify-wrapped https://avalter.com/media/restored/spotify-wrapped-archive.webp https://avalter.com/media/lead/spotify-wrapped.webp Spotify Wrapped 2023 https://avalter.com/media/lead/spotify-wrapped.webp I worked on CGI and animation for Kylie Minogue's Spotify Wrapped 2023 campaign. Her performance of Padam Padam sits within animated backgrounds and heart simulations, using the song's colours and rhythm across the naked-eye 3D billboard at the Moxy in Los Angeles. https://player.vimeo.com/video/924391702 https://avalter.com/work/samsung-smartthings https://avalter.com/media/gallery/samsung-smartthings.webp https://avalter.com/media/lead/samsung-smartthings.webp Samsung SmartThings https://avalter.com/media/lead/samsung-smartthings.webp With KOSHTA, beam.stu and Innit2K, we imagined SmartThings as a glowing trace moving through a home, connecting objects, light and space. I worked on art direction and 3D. The project developed through sketches, motion tests and material studies before being shown in an exhibition setting at ARTDOM. https://player.vimeo.com/video/1108684182 https://avalter.com/work/departmnt https://avalter.com/media/covers/departmnt.webp https://avalter.com/media/lead/departmnt.webp DEPARTMNT - launch film https://avalter.com/media/lead/departmnt.webp A CGI launch film for DEPARTMNT eyewear. I worked on art direction, CGI and sound, bringing chrome frames, red lenses and liquid surfaces into the same sequence. https://player.vimeo.com/video/807356477?h=4e6d6c9c26 https://avalter.com/work/londinium https://avalter.com/media/restored/londinium-archive.webp https://avalter.com/work/era-of-doom https://avalter.com/media/restored/era-of-doom-archive.webp https://avalter.com/media/lead/era-of-doom.webp Exhibition documentation https://avalter.com/media/lead/era-of-doom.webp A naked-eye 3D screen work made with Jetlag in response to a sports prompt. I produced the piece for the exhibition, developing an architectural scene that uses the corner of the billboard as part of its depth. https://player.vimeo.com/video/769677638?h=ab28e746d0 https://avalter.com/work/click https://avalter.com/media/restored/click-archive.webp https://avalter.com/media/lead/click.webp CLICK https://avalter.com/media/lead/click.webp I began with 3D scans of my own body, then stretched, fractured and re-sculpted them in digital clay. The work comes from experiences that stayed in my body and memory, and from the pressure of being read and judged through sexuality and masculinity. CLICK moves through rupture and release; FOLD turns towards the quieter moment afterwards, when the body absorbs what has happened and remains. https://player.vimeo.com/video/1177409597?h=9dbedee773 https://avalter.com/work/be3sis https://avalter.com/media/gallery/be3sis.webp https://avalter.com/media/selected/be3sis.webp BE3SIS https://avalter.com/media/selected/be3sis.webp How much of a life do we actually choose? BE3SIS grew from that question and the fear of following a path already laid out: school, university, a profession, a life you never wanted. I combined 3D animation with a hand-built 2D sequence and my own sound composition. I also developed a physical digital frame so the film could exist as an object outside the screen. https://www-ccv.adobe.io/v1/player/ccv/GqRksX3emvn/embed?bgcolor=%23191919&lazyLoading=true&api_key=BehancePro2View https://avalter.com/work/seiko https://avalter.com/media/restored/seiko-archive.webp https://avalter.com/work/xiaomi https://avalter.com/media/restored/xiaomi-archive.webp https://avalter.com/media/bureau/covers/xiaomi-redmi-12.webp Redmi 12 5G https://avalter.com/media/bureau/covers/xiaomi-redmi-12.webp A fully CGI film for the Redmi 12 5G launch. I developed the visual concept and storyboard, then worked through modelling, materials, lighting, animation and post-production. Close studies of the camera and device lead into the full product reveal, with still images carrying the same treatment into digital and social formats. https://avalter.com/media/additions/xiaomi-redmi-12-video-01-720p.mp4 https://avalter.com/work/vespa https://avalter.com/media/restored/vespa-archive.webp https://avalter.com/work/poco https://avalter.com/media/restored/poco-archive.webp https://avalter.com/media/bureau/covers/poco-x6.webp POCO X6 https://avalter.com/media/bureau/covers/poco-x6.webp Films and product images for the POCO X6 launch. My work ran from the visual concept and storyboards through product modelling, texturing, lighting, animation and post-production. Camera elements, reflective surfaces and close details recur across the films and stills. https://avalter.com/media/additions/poco-x6-video-01-720p.mp4 https://avalter.com/work/shark-beauty https://avalter.com/media/restored/shark-beauty-archive.webp https://avalter.com/media/lead/shark-beauty.webp Shark Beauty https://avalter.com/media/lead/shark-beauty.webp Digital direction and CGI visual development for Shark Beauty / SharkNinja, produced with STUNNAR. The products move through soft pink spaces, metallic frames and reflective surfaces, arranged as a sculptural display for the corner screen. https://player.vimeo.com/video/1199074489 https://avalter.com/work/cirque-echo https://avalter.com/media/gallery/cirque-echo.webp https://avalter.com/media/curated/cirque-du-soleil-cover-v2.webp Cirque du Soleil / ECHO https://avalter.com/media/curated/cirque-du-soleil-cover-v2.webp I worked as Digital Director with STUNNAR on CGI visuals for Cirque du Soleil's ECHO. A suspended metallic cube sits inside a dark, glass-fronted space with gold lettering and deep blue textures. I developed the atmosphere and CGI look around that small architectural stage. https://player.vimeo.com/video/1199068198 https://avalter.com/work/architecture-for-the-invisible https://avalter.com/media/gallery/architecture-for-the-invisible.webp https://avalter.com/media/architecture/invisible-skylight.webp https://avalter.com/work/murga-spine https://avalter.com/media/gallery/murga-spine.webp https://avalter.com/work/matrioshka https://avalter.com/media/gallery/matrioshka.webp https://avalter.com/work/palacio-mansilla https://avalter.com/media/gallery/palacio-mansilla.webp https://avalter.com/work/ysl-beauty https://avalter.com/media/restored/ysl-love-nude-archive.webp https://avalter.com/media/restored/ysl-love-nude.webp Love Nude https://avalter.com/media/restored/ysl-love-nude.webp A CGI product film for YSL Beauty's Love Nude lipstick. The finished sequence brings the lipstick into a pink setting with heart-shaped forms and close views of the product. https://dogmabureau.com/media/avalter-portfolio/2026-11-10/ysl-love-nude-1080p.mp4 https://avalter.com/work/clandestine https://avalter.com/media/restored/clandestine-archive.webp https://avalter.com/media/restored/clandestine.webp clandestine https://avalter.com/media/restored/clandestine.webp A moving-image work within Equilibrium. The figure brings together the collection's idea of digital identity with the traces of transactions on NFT marketplaces, held inside one body. https://www-ccv.adobe.io/v1/player/ccv/WND6Jno_kuw/embed?bgcolor=%23191919&lazyLoading=true&api_key=BehancePro2View https://avalter.com/work/noon-radiant https://avalter.com/media/restored/noon-radiant-archive.webp https://avalter.com/work/mama https://avalter.com/media/restored/mama-archive.webp https://avalter.com/work/rai https://avalter.com/media/restored/rai-archive.webp https://avalter.com/work/mine-your-our-silhouette https://avalter.com/media/restored/mine-your-our-silhouette-archive.webp https://avalter.com/work/9-lives https://avalter.com/media/restored/9-lives-archive.webp https://avalter.com/work/73rd-kilometre https://avalter.com/media/covers/73rd-kilometre.webp https://avalter.com/work/hearts-and-minds https://avalter.com/media/covers/hearts-and-minds.webp https://avalter.com/media/restored/hearts-and-minds.webp hearts and minds https://avalter.com/media/restored/hearts-and-minds.webp The closing work in Fragments. I made the series from pieces of my life and feelings I had usually kept to myself. Releasing it felt unusually personal, and this final work marked a pause after that period of sharing and experimenting. https://www-ccv.adobe.io/v1/player/ccv/MUPXuz4Q_4t/embed?bgcolor=%23191919&lazyLoading=true&api_key=BehancePro2View https://avalter.com/work/dare https://avalter.com/media/covers/dare.webp https://avalter.com/work/feels-different https://avalter.com/media/covers/feels-different.webp https://avalter.com/work/dark-height-of-truth https://avalter.com/media/covers/dark-height-of-truth.webp https://avalter.com/work/silence-binds https://avalter.com/media/covers/silence-binds.webp https://avalter.com/work/star-element https://avalter.com/media/covers/star-element.webp https://avalter.com/work/duality https://avalter.com/media/restored/duality-archive.webp https://avalter.com/media/restored/adobe-Vsiu6_TaLvB.webp DUALITY https://avalter.com/media/restored/adobe-Vsiu6_TaLvB.webp One of the audiovisual personas in Equilibrium. The series replaces a conventional written identity with a figure, a QR code and a musical composition. Duality sits within that collection of imagined digital selves. https://www-ccv.adobe.io/v1/player/ccv/Vsiu6_TaLvB/embed?bgcolor=%23191919&lazyLoading=true&api_key=BehancePro2View https://avalter.com/work/bloom https://avalter.com/media/covers/bloom.webp https://avalter.com/media/restored/bloom.webp bloom https://avalter.com/media/restored/bloom.webp An audiovisual persona from Equilibrium, where each figure carries a musical composition in place of a written biography. My original note begins: 'my place is nowhere'. https://www-ccv.adobe.io/v1/player/ccv/SgkJGZYyjSL/embed?bgcolor=%23191919&lazyLoading=true&api_key=BehancePro2View https://avalter.com/work/intrcptr https://avalter.com/media/covers/intrcptr.webp https://avalter.com/media/restored/intrcptr.webp intrcptr https://avalter.com/media/restored/intrcptr.webp An audiovisual persona in Equilibrium. The figure belongs to a series about what a digital profile can reveal or conceal, with music carrying its story. My note for the piece begins with the interruption: 'I stop suddenly: there is a flaw'. https://www-ccv.adobe.io/v1/player/ccv/GBeVV8N_TpR/embed?bgcolor=%23191919&lazyLoading=true&api_key=BehancePro2View https://avalter.com/work/null https://avalter.com/media/covers/null.webp https://avalter.com/work/imperfection https://avalter.com/media/covers/imperfection.webp https://avalter.com/work/hushed https://avalter.com/media/covers/hushed.webp https://avalter.com/work/sense-scope https://avalter.com/media/restored/sense-scope-archive.webp https://avalter.com/media/restored/sense-scope.webp sense : scope https://avalter.com/media/restored/sense-scope.webp The final work in Sense, made around the idea of freedom inside boundaries. I recorded an unknown Parisian dancer in a motion-capture suit and used the dance as an expression of movement and liberty. Flashes of awareness interrupt that freedom, returning the figure to the limits around it. https://www-ccv.adobe.io/v1/player/ccv/D_YbQ8B9n4z/embed?bgcolor=%23191919&lazyLoading=true&api_key=BehancePro2View https://avalter.com/work/grace https://avalter.com/media/restored/grace-archive.webp https://avalter.com/work/long-black-shutter https://avalter.com/media/restored/long-black-shutter-archive.webp https://avalter.com/work/metamorphose03 https://avalter.com/media/restored/metamorphose03-archive.webp https://avalter.com/work/metamorphose02 https://avalter.com/media/restored/metamorphose02-archive.webp https://avalter.com/work/metamorphose01 https://avalter.com/media/restored/metamorphose01-archive.webp https://avalter.com/work/form-of-light-intensity https://avalter.com/media/covers/form-of-light-intensity.webp https://avalter.com/work/form-of-light-frequency https://avalter.com/media/restored/form-of-light-frequency-archive.webp https://avalter.com/work/form-of-light-phase https://avalter.com/media/restored/form-of-light-phase-archive.webp https://avalter.com/work/confused-dream-chasm https://avalter.com/media/restored/confused-dream-chasm-archive.webp https://avalter.com/work/confused-dream-immersion https://avalter.com/media/restored/confused-dream-immersion-archive.webp https://avalter.com/work/confused-dream https://avalter.com/media/restored/confused-dream-archive.webp https://avalter.com/work/open-pressure https://avalter.com/media/restored/open-pressure-archive.webp https://avalter.com/media/restored/open-pressure.webp sense :open pressure https://avalter.com/media/restored/open-pressure.webp I made Open Pressure while trying to arrange my life as an immigrant in Spain and feeling the weight of social pressure. I scanned my upper body, altered it to make the figure less recognisable, and built the animation from twenty static expressions using AI frame interpolation. The images came first; the sound followed their movement. https://www-ccv.adobe.io/v1/player/ccv/Dtk_7nXxWPL/embed?bgcolor=%23191919&lazyLoading=true&api_key=BehancePro2View https://avalter.com/work/fear https://avalter.com/media/restored/fear-archive.webp https://avalter.com/media/restored/fear.webp sense :fear https://avalter.com/media/restored/fear.webp The first work in Sense begins with the fear of being condemned, misunderstood or different. I started from the sound and built the character, skin and camera movement around it. Goosebumps appear procedurally in time with the music, giving an internal feeling a visible physical response. https://www-ccv.adobe.io/v1/player/ccv/GIrZ-D5CykX/embed?bgcolor=%23191919&lazyLoading=true&api_key=BehancePro2View https://avalter.com/work/little-empty-purity https://avalter.com/media/covers/little-empty-purity.webp https://avalter.com/work/sight https://avalter.com/media/covers/sight.webp https://avalter.com/work/r-6 https://avalter.com/media/restored/r-6-archive.webp https://avalter.com/work/r-1 https://avalter.com/media/restored/r-1-archive.webp https://avalter.com/work/lost-in-cause https://avalter.com/media/covers/lost-in-cause.webp https://avalter.com/media/restored/lost-in-cause.webp lost in cause https://avalter.com/media/restored/lost-in-cause.webp Waking up lost, running to find yourself, and arriving at the end of the road. A moving-image work built around that short original note. https://www-ccv.adobe.io/v1/player/ccv/RZbFcqq4t-M/embed?bgcolor=%23191919&lazyLoading=true&api_key=BehancePro2View https://avalter.com/work/two-gnossiennes https://avalter.com/media/restored/two-gnossiennes-archive.webp https://avalter.com/media/restored/two-gnossiennes.webp two gnossiennes https://avalter.com/media/restored/two-gnossiennes.webp Warmth, breath and the closeness of another person through touch. Two hearts moving together, somewhere between a symphony and a pirouette. https://www-ccv.adobe.io/v1/player/ccv/Vb32256_Y8B/embed?bgcolor=%23191919&lazyLoading=true&api_key=BehancePro2View https://avalter.com/work/thus-steel-was-made https://avalter.com/media/covers/thus-steel-was-made.webp https://avalter.com/work/memoirs https://avalter.com/media/covers/memoirs.webp https://avalter.com/work/fragments https://avalter.com/media/restored/fragments-archive.webp https://avalter.com/work/equilibrium https://avalter.com/media/covers/equilibrium.webp https://avalter.com/work/pompeian-red-collection https://avalter.com/media/covers/pompeian-red-collection.webp https://avalter.com/work/confused-dream-collection https://avalter.com/media/covers/confused-dream-collection.webp https://avalter.com/work/form-of-light-collection https://avalter.com/media/covers/form-of-light-collection.webp https://avalter.com/work/sense-collection https://avalter.com/media/covers/sense-collection.webp